Released in 2014, Metro Redux retains all that was great about Metro: its claustrophobic environments, its terrifying close-quarters battles against hordes of mutants, the wonderful, wonderful gas-mask.
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Or at least the remastered version of the original. Last Light is a splendid sequel that iterates upon the original in some clever ways, while Exodus brilliantly expands Metro’s survivalist shooting into larger, more open environments.įor the definitive Metro experience, however, you have to go back to the original. For all this and more, Gunslinger deserves to be far more infamous than it is.Īny of the Metro Games could happily occupy a place in this list. But it also happens to be a rootin’ tootin’ shooter as well, featuring powerful period weapons and a neat duelling mechanic which simulates those classic high-noon quick-draws. If the player chooses the latter, Silas quickly adjusts the story to fit the new narrative, making his claims seem more than a little suspect.įor its clever use of an unreliable narrator alone, Gunslinger is worth checking out. In a mechanic similar to The Stanley Parable, Silas will set up a scenario that implies the player is to perform a certain action, but it’s up to you whether to follow his thread or deviate from it. But there’s a question over how tall Greaves’ tales really are. You experience Greaves’ adventures as playable flashbacks. Greaves claims to have fought and bested the most famous outlaws of the Wild West, including Wild Bill Hickok and the notorious Jesse James. It places you in the spurred boots of Silas Greaves, a veteran bounty hunter who whiles away his time telling tales of his exploits in the local saloon. Gunslinger is arguably the most narratively fascinating FPS made in the last ten years. Speaking of storytelling, it’s a crying shame that Call of Juarez: Gunslinger has been largely forgotten about. It isn’t a perfectly balanced shooter, with the narrative cutting into the action a little too frequently (a problem that was much more prominent in the sequel), but that doesn’t stop The New Order from being comfortably the best Wolfenstein Game since 1991. Highlights of the campaign include an incredible gunfight on a slowly collapsing bridge, and pew-pew-ing your way through a Nazi Moon base with a laser rifle. The New Order also uses its pulpy dystopian past to fantastic effect. Blaskowicz as a believable human (with the wateriest eyes in gaming), but in the process it never forgot what Wolfenstein is fundamentally about, namely blowing away large numbers of Nazis with ridiculously OTT weaponry. Not only has it managed to create a compelling story of resistance and pen the square-jawed B.J. This is why developer MachineGames deserves so much credit. This goes doubly when the shooter in question is descended from the legendary Wolfenstein 3D, programmed by John “A story in a game is like a story in a porn movie” Carmack. Even a well-told story can potentially derail the flow and blistering action that a truly great FPS needs. Shooters and storytelling aren’t always the best of friends.
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Indeed, to celebrate the genre’s more recent achievements, we’ve brought together the best examples of blasting bad dudes with big guns developed in the last decade. It’s certainly true that the FPS is no longer the dominant mainstream genre, but that’s not to say that the games industry doesn’t still make incredible shooters. It’s often argued that the golden age of shooters is over, that the genre which began (more or less) with Wolfenstein 3D and became dominant with Doom has seen its best years and best games made.